27
Jun 09

Part II Ben Sheppee LightRhythmVisuals Intro film for Visualist on Visualist


This part is the rough edit of Ben Sheppee in Tokyo giving his thoughts on music, cities, promoter and technics as a VJ and Visualist, which ever one suits best as a moniker….

27
Jun 09

Part One Introduction to Visualist on Visualist The Film


This edit is to show the basis of the story between technological thoughts behind audio music and visual. The Concept is the beginning to be able to find the changes and characteristic behind what Visualist On Visualist is documenting. The central concept is the work, visually speaking, it is compose of ideas, locations and production.
Ben Sheppee spoke of the concept and whilst Shantell Martin was speaking about her experience in a foreign country, and the third character is Mike Faulkner speaking to us about his publication VJ Culture Book he edited a year ago.

These artists are centralized by the period of time and movement, subjecting to the condition they all set out to accomplish through design and visualization on becoming Visualist.

Finally you may treat this video as scenarios where they come to perform what they do best.

A SOUNDTRACK will be also produced for the final production, with different artists and producer from different countries.

12
Jun 09
27
Apr 09

D-Fuse Latitude intro

D-Fuse performed the first time in Hong Kong back in March. For those who have followed visual scene must heard of D-Fuse. But for the new audience, DFuse is a group of visualists from Europe and they are based in London. They have been featured on the apple pro profile back in the days.D-FUSE Latitude from Nonlinearinteractive on Vimeo.

14
Apr 09

A documentary on VJ culture in Japan (and elsewhere?):

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Project Proposal:

In the environment and control of the visual culture, VJ culture have taken the world into a new era of visualization of the foremost formaté(French for formatted) of imagery and visualization of the motion images. In the absence of music or moving images, the world are beginning to express a view of this generation of youth to experiment the visual medium through differential process of imagery. In which reality in opposition.

The internet have bought us the convenience of collect visual and sound movement; mixing/remixing, sampling with content that are, at an instances of cultivation of message as the medium. A new visualization through a processing in programs, software, and real-time playback of instantaneous construction of workflow and programming of imagery.

From the basis of this condition to become a visualist or a VJ, the idea are formed from a natural construction of the visual medium as the departure of professionalism and experimentation in the visual arts. From motiongraphic artist, to filmmaker and video artist, the world of visualization are becoming more diverse and preoccupied by the element of found imagery and constructed/illustrated imagery.

Introduction:

VJ filming VJS are not a work of art in itself, and it is never a preoccupied way to archive your work through the eyes of another. In deed the interesting intend for there to be a documentary are by the chances of approaching and appreciating the kind of workings that is involved for the implication of the profession. This can be a tale of interest or a chance of encounter that bring about a way of seeing.

In brief, these work are best to be done by the same profession of filmmaker and documentor, as a way to tell a story the way we want it to be told. A culture of trend and fad are passé and by large the scope of these youth or professional is intended to illuminate the variety of their life and work.

Control of the medium:

How do all these visualist do their magic trick? They are all hidden behind their screens, their computer: an instructional tool or and instrument of performatic modus operandi? Maybe is both and none at all. Perhaps it is a justification of an instrumentalist over his/her performance. The profession are covering a huge scope of work, how do you tell a story in a way in a world that is diverse and setup global conditions in the operative of the nocturnal? Are all visualist like to be hidden in the dark. This documentary will suppose to light up the screen as we motion the result to something more of the emotional ideology of the control device, we use and live with…. not computer, but our own inner struggle with content.

Output:

The Product could be a brand of division to GNN for learning about these individual and group of professional who practice their arts in difference of circumstance. The ideology is a case study, a realism behind the screen and the scene of these individuals who are climatic and emotional. The format is a document to bring light and vision to the chance of encounter for the few that would watch and tell their own stories, as other generation would do it for the history of performance and strengthen the ideology for the art form. Visualist and VJ is not merely robot of the machine age.

14
Apr 09
03
Mar 09

Return of the Old REELz-SIXKEYZ

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YouTube Preview Image

From the inception and ending of this story on Sixkeyz. The idea behind it was great, but never had a business model. It was fun whilst it lasted. Now in these hard times, should we still pursuit the name game. Somehow I find this old reel and decided to give it a shot at going solo on Sixkeyz to give its name another try for starting an interactive studio. Before it is about showcasing people’s work in a real space, without the space, there is only the virtuality and files from the past. Nonlineari™ and Sixkeyz™ could they become a house hold name as a studio?

01
Mar 09

Looking for Office in the dismo time

The economic impact is creating a huge bubble for the property market, maybe is a good time to look at office space or move out of the existing one. I see a lot of empty spaces around town, especially in central district where those lofty’s one are all vacant. If you have money to throw down for a new space, wait is still a good advice for startups and designer’s looking for a good location and maybe plan on getting out of their homes.

jake1

EX. Office of Jake Phelps at Thrasher Magazine, California.

19
Feb 09

On recollection on these sound tracks:

From getting this group together and starting making these sound or noise of my consciousness was about one month’s time, and I think is very interesting to be producing music. Although, I regret to say these ain’t still quite harmonically whimsical enough and the quality of the recordings are not product of great production. So please bear with us on improving our technic and audio abilities. Holler!!™

19
Feb 09
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